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・ Dan W. Gray
・ Dan W. Lee
・ Dan W. Quinn
・ Dan W. Reicher
・ Dan W. Turner
・ Dan Waern
・ Dan Wagner
・ Dan Wakefield
・ Dan Wakeham
・ Dan Walker
・ Dan Walker (politician)
・ Dan Walker (sports journalist)
・ Dan Wallace
・ Dan Wallin
・ Dan Walmsley
Dan Walsh
・ Dan Walsh (banjo player)
・ Dan Walters
・ Dan Ward-Smith
・ Dan Wardrope
・ Dan Warner
・ Dan Warthen
・ Dan Washburn
・ Dan Wasserman
・ Dan Watchurst
・ Dan Watermeier
・ Dan Waters
・ Dan Way
・ Dan Webb
・ Dan Weggeland


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Dan Walsh : ウィキペディア英語版
Dan Walsh

Dan Walsh (born 1960 in Philadelphia, Pennsylvania) is a painter based in New York.
He studied at the Philadelphia College of Art in Pennsylvania and Hunter College in New York City.
A veteran of nearly thirty solo exhibitions Walsh’s work has been shown internationally at galleries and museums including PS1 Contemporary Art Center (), Musée d’Art Moderne et Contemporain () in Geneva, the Indianapolis Museum of Art (), and the Royal Academy () in London. He is represented by Paula Cooper () in New York and Paolo Curti () in Milan.
Dan Walsh’s large-scale paintings draw from the tradition of Minimalism. Rendered by hand, Walsh’s geometric compositions waiver with faint imperfection. Seemingly straight edges subtly bow and warp with undulating movement, creating tessellated fields of disorientation. Reminiscent of Ad Reinhardt’s subliminal plaids or Sol LeWitt’s optical illusions, Walsh uses the multiplicity of ordered form to draft algorithmic blueprints. Through repetition, Walsh’s work suggests endless expansion, fluctuating between the intimate and infinite. Walsh uses perspectival deception to make his flat surfaces appear to advance and recede simultaneously, provoking alternating sensations of gravity and weightlessness.
Transgressing the Minimalist’s objective purity, Walsh’s paintings both envelop artistic tautology and reflect the contemporary experience of virtual reality. His grid-like compositions give subliminal suggestions of computer or television screens. However, his painstaking technique and hand-draw lines prize personal negotiation over synthetic precision. Walsh’s combination of brightly coloured tones and delicate wonkiness gives his work an underlying sense of play.
==Sources and reviews==

*Roberta Smith, “Dan Walsh at Paula Cooper Gallery”, The New York Times, April 7th 2000, p. 40
*Eleanor Hearthney, “Dan Walsh at Paula Cooper”, Art in America, September 1998, n. 9, p. 129
*Pepe Karmel, “Art in Review – Dan Walsh”, The New York Times, January 13th 1995, p. 25

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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